I'm still writing my essay on Method acting and therefore I decided to watch a lot of performances. An interesting fact: while Laurence Olivier played Hamlet on stage in London, he once confessed that while he performed the To be or not to be monologue and the audience was amazed by his emotions, he was actually thinking of the wine he'd drink later that same evening. I actually think that he said that just to get some attention, because he was obviously confused by the Method and couldn't communicate with Method actors (like Brando, James Dean, De Niro, Al Pacino etc). I think I mentioned in my last entry that Brando calls him an architect of an actor in his autobiography. Anyway, I decided to watch as many of Elia Kazan's films as I could. I realized that Kazan is really a great director of actors. There's so much attention for detail in the performances actors give in his films. I just watched East of Eden again. I first watched it two years ago, but now I realize I knew little about acting at the time and I now realize what a great job James Dean does in the film. I finally got a copy of A Splendor in the Grass and I'm going to watch it tonight. Yesterday I watched for the first time Wuthering Heights with Olivier in the lead and I enjoyed it pretty much, even though I couldn't get rid of the feeling that he's faking emotion all the time. It's always tricky to judge other actors because of the information you have about them. And the more performances they gave you see the harder it gets. An example: Of the Old Hollywood actors, I like Bette Davis (and I've only seen one performance: that in All About Eve, and let's face it, it's hard to not be impressed by that one). But all the others: their performances are all about their charisma and their own image and not about the characters they're playing. I've seen a few performances by Katharine Hepburn (many of the professors at the Academy consider her a great actor), but every time I see her on screen, I see Katharine Hepburn. She's always the same. Always the same gestures. Always the same mannerism. And I cannot find the connection to her characters.
Anyway, I'm still a little bit confused by the Method. I don't get it fully. I think I understand most parts, but some are still big question marks.
I'll write later about the Elia Kazan films - with some brief reviews.
Projekotwanie sztachetki PCV na plot i furtę ze sztachetek nie wymaga pozwolenia na budowę oraz zgłaszania tego faktu starostwu powiatowemu prócz kilku wypadków. - Stawianie ogrodzenia z Winylu na plot i furtę ze sztachet nie potrzebuje pozwolenia na to ani sygnalizowania tego faktu do urzędu nie licząc szczególnych p...
1 year ago